GRACEFUL
GRATEFUL
PEACEFUL
PLAYFUL
Ariosto Coelho
w elcomes
you
to
spiritual Direction
UNIVERSAL,
INTERFAITH
AND
CATHOLIC
where
the
soul
glows
and grows
WITH
OR WITHOUT A RELIGIOUS TRADITION
by integrating the body,
mind and heart in consonance with
The
Rhythm of the Breath & The Rhythm of the Universe
Phone
650-952-9456
[Se habla Español, Italiano,
Português,
Konkani, Hindi, ...
]
© Spiritual
Direction
1998-2012
Updated
16 Jan 2012
P. O. BOX 1454,
Millbrae CA 94030 ,
U.S.A.
Meditation &
integral art
Drawings
-
Watercolors -
Oil Paintings
by
Ariosto Coelho
Book Signing and
Exhibition of Integral Art
in San Francisco
on Youtube
P RISMA C O L O R
DRAWINGS
CREATIVE EXPRESSIONS
IN
ha r mo ny
with
The Rhythm of the Breath
Meditation
"BE
STILL
AND
KNOW THAT
I
AM
GOD."
Psalm 46/10
MEDITATION IS AS EASY AS WORRYING.
In worrying one focuses
on 'ego': pain, isolation, loss, fear ...
In meditation one surrenders 'ego' with
faith, hope, love, ..
.
and
"learns to embrace
WITNESSING AWARENESS ."
[Ariosto's reflection on
Jan. 14, 2009]
MEDITATION
IS
WITNESSING AWARENESS :
"It is living with the awareness that the only constant is perpetual
change. It is developing the capacity to observe without needing to
react to changing stimuli and impulses. I t is
learning to stay centered and awake to all possibilities whenever a
challenge arises and to choose the best course of action. It is being in
touch with one's unchanging soul which experiences the heightened
awareness and oneness with the universe as fullness or emptiness." Ariosto Coelho in
Yoga or
Fullness (2006)
MEDITATION AND EMPTINESS: "Emptiness is not nothing, it is everything, everything at once." Red
Pine in The Heart Sutra (2004)
"Meditative surrender leads to emptiness,
a state of deep humility with 'no knowledge' of oneness.
It is the fullness of life: living and sharing
peacefulness ."
[Ariosto's reflection on Feb. 16, 2007]
MEDITATION AND HEARTFULNESS:
"The overall tenor of mindfulness practice is
gentle, appreciative and nurturing. Another way to think of it would be 'heartfulness.'
A student once said:
'When I was a Buddhist, it drove my parents and friends
crazy, but when I am a buddha, nobody is upset at all.'" Jon Kabat-Zinn
in Wherever you go, there you are (1994)
MediTation is breathing with awareness:
awakening, balancing and centering delight
mindfully and heartfully in the here-and-now.
[Ariosto's reflection on
Dec. 8, 2010]
WHEN YOU "FIND
PERFECTION IN IMPERFECTION"
YOUR MEDITATION PRACTICE IS
ENLIGHTENED
Shunryu Suzuki in Zen Mind, Beginner's Mind (1970 & 2005)
"The First Circle of Silence: No Words
AWAKENING
The Second Circle of Silence: No Thought
BALANCING
The Third Circle of Silence: No Self
CENTERING
The Fourth Circle of Silence: Embracing All "
DELIGHT
James O'Connor in Silent Fire (2002)
Coelho ( 1994 )
MEDITATION AND
SILENCE
"When you were in the womb you were silent.
Then you were born and began to talk, talk, talk -till the day you are laid
in the tomb. Then you will once again be silent. Capture that silence which
was there in the womb and will be there in the tomb and even now underlies
this interval of noise called life. That SILENCE is your deepest essence." Anthony de Mello in One Minute Nonsense
(1992)
" May our silence be comfortable.
In that silence may we experience the height of
intimacy , the depth of communication and the powerful
presence of God’s Spirit of Love. May infinite giving and forgiving
flow as a caring and daring expression of truthful and
non-violent living. May we take delight in the luminous urge within ourselves
to fulfill our role in the cosmic drama with supreme dedication to the
Divine Plan gracefully with gratitude. " Ariosto Coelho
in
Heart
Moments (2005)
BEYOND
MEDITATION
A wakening,
balancing and centering
Integral Being:
Enlightened,
Anointed, ...
I ntegral
union or
purna yoga
D elight in body, mind, heart and soul
For this is fragrant and that is
fragrant.
The path of knowledge or jnana
marga
C hoiceless and conscious awareness
For it is in dying that we are born.
T he
path of devotion or
bhakti marga
E ffortless
and universal compassion
F or
it is in pardoning that we are pardoned.
T he
path of righteousness or
karma marga
D esireless and selfless right action
F or
it is in giving that we receive.
[Ariosto's reflection on
October 28, 2011]
Integral Art
Infinity
Intimacy
Integrity
In-harmony
WITH iMPERMANENCE
WATER C O L O R
PAINTINGS
CREATIVE IMPRESSIONS
with
Im per ma nen ce
:
The Rhythm of the Universe
A
new publication
ISBN 978-0-615-40788-3
2010
Integral Art
How to awaken, balance
and center light and delight
Drawings and Paintings
of Soul Travel
ariosto coelho
Integral Art
▪
is mindful, meditative, sacred,
spiritual or holistic art that grows and glows with the unconscious,
preconscious, conscious and super-conscious dimensions of life on Earth
and existence in the Universe.
▪
embraces and flows from life, consciousness and compassion
as wholeness. It
A wakens
the soul to the spiritual; B alances experience and expression; C enters
attention with intention; and D elights in transforming images,
thoughts, emotions and sensations with the rhythms of the breath and of
the universe.
▪
transports the soul traveler through the realms of contemporary psychology
and neuroscience, religious philosophies and spiritual traditions, and
interfaith and post-modern practices leading to health and happiness.
▪
unfolds and enfolds experiences and expressions of light and delight as
Windows to Infinity, Bridges to Intimacy, Wings of Integrity, Mandalas in
Harmony and Impermanent Paths through Laughter and Silence.
▪
offers harmonious affirmations and transformative practices as integrated
paths to realize one's purpose in life in consonance with the Rhythms of
the Breath and of the Universe.
What some say
about this book
The sound of the titles
describing Ariosto's "Soul Travel" penetrated my whole being with
vibrations of consciousness of my own life, created to contribute to God's
colorful world.
Tony D'Souza,
S.D.B., M.A.
International
Spiritual Leader
If you are ready
to perceive who you are not from beyond your wildest imaginations,
Integral Art may just be that most apt vehicle.
Robert Dittler,
O.S.B., Ph.D.
Abbot
and Bishop
Dr. Coelho's book
is a harmonious weave of intellectual inquiry, awakened creativity, and a
resounding pulse of spirituality.
Jeri McGovern,
M.A.
- Art
Instructor and Adult Educator
In this age of ours … Coelho's
mystical note should have the power of making his readers [viewers] look
within.
P. R. Dubhashi,
Ph.D., D.Lit.
Vice-Chancellor
Book Signing and
Exhibition of Integral Art
in San Francisco
on Youtube
The author Ariosto Coelho ,
Ph.D., LMFT, is an integral artist, a spiritual writer and a
transformational healer whose noble work has touched countless lives. By
sharing visual descriptions of his soul as it travels through the four
landscapes of the body, mind, heart and spirit he empowers the reader to
recognize and appreciate wholeness.
The author on
his Integral Art
"I have been
fascinated with art all my life. I recall that as a child in Goa [Estado
da India Portuguesa from 1510 to 1961] my parents, brothers and
sisters encouraged me to draw and paint. I remember my Dad framing one of
my pencil drawings of St. Joseph on paper, placing it among the household
pantheon and using it as one of the icons for family prayer. Among the
Salesians of Don Bosco I was encouraged to display my visual art on the
humble notice boards at first and, later on, in impressive exhibitions in
Chennai, Bangalore, Mumbai and Goa, India.
My desire to study and
contribute towards a planetary ecology of religions and to seek a practical
integration of the spiritual traditions of the world led me, initially, to
Pontificia Studiorum Unversitas Salesiana in Rome, Italy and, later, to the
California Institute of Integral Studies in San Francisco, USA. As part of my
research project I drew a prismacolor circle or mandala entitled Moima
which means 'Glory' in Konkani, the language of the Konkan region of
India. I meditated on this mandala or circle of recognition and wrote my
doctoral dissertation entitled “Mandalas Unfolding and Enfolding: A
Phenomenological Paper.” This was an existential blend of East-West mystical
perspectives on Philosophy and Religion and was published as Mandalas,
Personal Mythology and Mid-Life Spirituality : A Trans-Epistemological
Inquiry into Mid-life Transformation Blending Integral Art, Roman
Catholic Tradition and Pūrņa Yoga (1994).
I was privileged to
conduct Mandala Retreats in California, Illinois, New York and elsewhere and to
share my perspectives on Light and Delight [Appendix 2 ] with other
seekers and artists. Besides pencil drawings I also worked with other media:
Watercolors, Sumi ink on rice paper and Mixed media. In 1997 I specialized in
Clinical Art Therapy at Notre Dame de Namur University and continue to use these
skills with my young clients as a member of the South Central Youth Team of San
Mateo County Behavioral Health and Recovery Services [Mental Health] as well as
with adults as a Licensed Family Therapist and Interfaith Spiritual Director.
Since May 2003 I am a member of an Oil
Painting Group that meets every Thursday at
the Senior Center in San Bruno in California.
If I were to choose a term to describe my art, I’d call it ‘Integral
Art;’ it flows simply from an integral perspective on life as a whole. It draws
freely from both the light and the darkness within and beyond. It dwells fully
on the soul as it travels with the Rhythm of the Breath. It blends delightfully
with the Rhythm of the Universe, where infinity, intimacy and integrity blend
in-harmony with impermanence.
Integral art
a wakens
the soul to the spiritual; b alances between experience and expression;
c enters attention with intention; and takes d elight in arranging
forms towards revelation of awareness, thought, memory, feeling, sensation and
motion beyond form (Swan 1975). Robert Aziz (2007) offers a similar perspective
in The Syndetic Paradigm . He proposes that all of life is bound together
in a highly complex whole through an on-going process of self-organization. I’ve
noticed this self-organizing totality evolve in and through my art, especially
the
mandala or circle drawings and paintings .
Like the metaphors of
the swinging door and soul travel, the mandala or circle is a universal symbol
and has many representations and meanings.
In
Sanskrit a mandala is a circle [manda ] or a center [la ]. It
represents the whole, the cosmos in miniature, a map of consciousness, a
reflection of the soul, an instrument to unfold in a limited way the enfolded
illimitable power or the lotus of enlightenment. P. R. Dubhashi (1993) asserts
that to a Hindu mythologist the whole world is a mandala, and Robert Thurman
(2001) adds that every human being is, more than a point of awareness, a mandala.
I hope my integral
drawings and paintings become more than metaphors or symbols of wholeness and
impermanence, pointers in the direction of infinity, intimacy, integrity and
harmony. Thus awakening, balancing and centering delight in a civilization with
a heart where all can experience bliss and laughter."
[Integral Art pages 2-3]
For more details or to
order a copy
[$30+ $5 postage and
handling]
please call 650-952
9456
email : ariostocoelho@yahoo.com
PRISMA C O L O R
DRAWINGS OF THE LIGHT WITHIN
1992
Awakening
[18"x24"]
1991 Balancing
[18"x24"]
1994
Centering [9"x9"]
1993
Delight [36"x36"]
1993
A Turtle [4.4"x6"]
1993
A Mask [4.4"x6"]
1993
A Hand [4.4"x6"]
1995 Rosebuds [4.4"x6"]
1997 Stanford
[4.4"x6"]
1997
Cosmic Coil [4.4"x6"]
1998
A Dream [4.4"x6"]
1998
A Storm [4.4"x6"]
WATER C O L O R
PAINTINGS OF THE LIGHT WITHIN
1991
Balloons
[11"x14"]
1991
Chalice [11"x14"]
1991
Lila
[11"x14"]
1994
Goa
[22"x22"]
1996
Circles
[16"x16"]
1997
Nine Circles
[11"x14"]
1997
Embrace
[11"x14"]
1996
Circles at Midlife [22"x22"]
1997 Oyster
[20"x24"]
1998
A Vase [16"x12"]
1997 Happiness [18"x24"]
1999
Light [30"x30"]
OIL PAINTINGS
WITH
L I G H T
A N D
D E L I G H T:
INFINITY ,
INTIMACY ,
AND
INTEGRITY
IN-HARMONY
WITH
iMPERMANENCE
Ariosto coelho
was introduced
to a deeper understanding of Christian Meditation and
Salesian Education by Fr. Egidio Sola, SDB, and Fr. Joseph Casti, SDB, in 1967. Many Salesians, Jesuits
and others especially Swami Bede Griffiths, OSB, Fr. Paul Puthenagady,
SDB, Fr. Tony D'Souza, SDB, Fr. Tony D'Mello, SJ, and Fr. Herbert Alphonso,
SJ, enabled him to move into other forms of meditation
and discernment of spirits.
In 1984, Ariosto studied The Well and the Cathedral by Ira Progoff and
began Entrance Meditations. In 1985, he participated in a ten day
Buddhist Vipashna retreat under Goenka's direction in Igatpuri, India.
He studied spirituality and mystical traditions in Aquem, Goa; Lonavla, Mumbai, Pune;
Yercaud,
Bangalore; Rome;
Lyons; Chicago and San Francisco.
Ariosto began to integrate art and meditation while at
the California Institute of Integral Studies in San Francisco where he
studied: Oriental Monochrome Brush Painting , Painting Dreams
in Watercolor, Drawing and Coloring the Light Within. His doctoral research
( 1993 )
blends
Integral Art, Roman Catholic Tradition and Pūrņa
Yoga .
In 1997, Ariosto specialized in Clinical Art Therapy
and began experimenting with oils on canvas
i n 2003.
In 2006, he decided to sit for zazen with the Crystal Springs Sangha at
Mercy Center in Burlingame, CA.
CIRCLES AT MIDLIFE:
AWAKENING to intimacy
[bottom]
BALANCING the past
[left]
CENTERING the future
[ right]
DELIGHT in the present
[top ]
1996
[Watercolor 22" x 22"]
"Cent'ring ev'ry flame with a name or aim of fame or shame at
life's game." (
2007 )
Ariosto's art has been acclaimed among the Salesians of Don Bosco in India. He
undertook many art projects for them from 1962 up to 1992. In 1973, he organized the "Salesian
Brothers' Exhibition" at St. Joseph's Industrial Institute in Kurla, Bombay.
In 1977, he contributed posters for the "Salesian Vocation Exhibition" in Madras. In 1986, Ariosto directed an exhibition on the occasion of the silver jubilee of the Don Bosco Agro-Educational Complex in Sulcorna, Goa,
which was inaugurated by Mrs. Singh in the presence of her husband Dr. Gopal
Singh -Governor of Goa, Fr. Aurelius Maschio, SDB, and other dignitaries [
picture
October 1986 ► ].
His
doctoral research (1993 )
focuses on Integral or Synthetic Art. His mandala
Moima ('Glory' in Konkani, the language of Goa in
India) is a polychromatic drawing with
Prismacolor
pencils on black paper and it provides an existential blend of East-West
perspectives on Philosophy and Religion.
Ariosto
also works with other media which include watercolor , oil paintings and mixed media. In 1997,
Ariosto specialized in Clinical Art Therapy
and continues to use these skills with his young clients as a member of the
South Central Youth Team of San Mateo County Behavioral Health and Recovery Services
[Mental Health] as well as
with adults as a Family Therapist and Spiritual Director. Since May 2003 he is
part of an Oil Painting Class that meets every Thursday at the Senior Center in
San Bruno, CA
[ ◄picture December 2007 ] .
FOUR ORIENTAL MONOCHROME PAINTINGS WITH SUMI INK ON RICE
PAPER
1990 Bamboo
[20"x22"]
1990
Cherry Blossoms
[20"x22"]
19906 Orchids
[20"x22"]
1990 Rocks
[20"x22"]
To order an artwork, painting or creative
expression,
please contact Ariosto Coelho
[650-952-9456]
AriostoCoelho@Yahoo.com
G raceful
▪
Grateful
▪
Peaceful
▪
Playful
▪ laughter